Thursday, May 10, 2012

Have a great summer

Great job everyone on the final critique.  It was a pleasure to be a part of your PHO 111 IDM class this semester.  My part of the grades are in but I don't know when they will be posted. 

Keep in touch and let me know how you are doing.  I wish all the best.

Ginger

Thursday, May 3, 2012

Final Critique on Monday 7 May 2012

Final critique is Monday, 7 May 2012.  The critique will be held in Journalism Room 110.  We will start at 6 pm sharp.  Please be a little early so we can start on time and get out by 9 pm.

You will need to bring 10-15 prints with 4 of those matted.  2 will be given to the University.  Please make sure you have your name, class, date, etc. written in pencil on the back of the mats of the 2 you will leave with me.

Please be prepared to present your work using the methods of critique learned in class.  This time there will not be anything written on the board or slips handed out to you.  You will also need to participate and critique the work of others using the methods taught.

Don't forget to come dressed for the final critique.  It is important to look as if you are presenting your work to a client or a potential employer.  You now have your very first portfolio printed and ready to present.  Congratulations.

I'll bring the pizza, plates and napkins.  Anything else you want to bring to add to the meal will be most appreciated.

You have worked hard this semester and it shows!  Thank you.  I look forward to seeing the final results on Monday!

Monday, April 30, 2012

Monday 30 April 2012

Self Assessment Essay is due today.

Please write a 4 paragraph self-assessment based on what you learned/did not learn in Photography 111 Introduction to Digital Media class.
Values
What value did this Photo 111 Introduction to Digital Media offer to you this semester?
Some examples of what you might want to consider in your value statement are listed below.
  • How did you perceive yourself as a photographer at the beginning of class and how do you perceive yourself now?
  • What do you like/dislike about your experience in this class?
  • What were your strengths/weaknesses in photography at the beginning of class compared to the end of the semester?
  • Is photography/digital media important to you? Do you think it will be in the future?
  • How did you feel about this course before you started it? Did you think you would enjoy it? Did you think it would be hard, or easy? How do you feel about the course now you are almost finished?
  • What do you like about this particular class?
  • Did any particular photography technique prove useful? If so, how?
Interest:
Was the class content interesting? What did you find interesting?  What did you find boring?

Skills:
What skills did you learn?  Are there any skills you wish you had learned but you were not offered the information.

Some examples of skills learned this semester might include:
- Composition
-Printing
-Presentation
-How to take a picture
-How to use a camera
- Information on photographers
-How to critique a photograph
-How to mat.

Grade for the semester
Finally, please give yourself a grade for the semester you feel that you have earned based on attendance, projects, participation in critiques, participation on the class blog and your final presentation.  Explain why you feel you deserve the grade you have given yourself.

Please print this out and hand it to me during class or just email it to me at gcook2@leo.tamu-commerce.edu

You won't receive a grade on this exercise.  It is a simple do it and you get a 100, don't do it and it will be a 0.  I will be using your feedback as I try to plan for the Fall 2012 class.  Thanks so much for your input.

Heads Up!
The print lab closes on Friday.  You might want to use the lab time in class tonight and on Wednesday to print and mat your final pictures.



Sunday, April 29, 2012

It takes time

"Nobody tells this to people who are beginners, I wish someone told me.

All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it's just not that good. It's trying to be good, it has potential, but it's not. And your taste is why your work disappoints you.

A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn't have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story.

It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I've ever met. It's gonna take awhile. It's normal to take awhile. You've just gotta fight your way through."

~ Ira Glass

Wednesday, April 25, 2012

Wed 25 April 2012 Artist Statements Due

Your artist statement is due tonight along with your updated Final Proposed Project.  We will be going over each student's work in class.

See you at 6!

Monday, April 23, 2012

Mon 23 April Lab Day

Today is your lab/work day.  Please use it very wisely!  We will not have a formal class tonight but you can come in and use the Mac and print labs as you need.  Keep in mind that both the Wathena and 3rd Floor pint labs close on Friday, May 4th.

Wednesday, your artist statements are due.  Please have them up on your blog along with your most recently updated proposal for the final project.  It will be most helpful if you also have any and all new images up for everyone to take a look at and comment upon before you go any further.

Work hard!

Wednesday, April 18, 2012

Wed 18 April

We are going to spend a little time this evening on artist statements.  Hopefully, most of you have 5-7 pictures up on your blog and you are ready for a review before printing.  There are still a few of you who have not updated your project plan.  This week I will be comparing your project plan to the work posted on your blog.  I hope they match!  We will also continue comments on blogs this evening.  At the end of class there will be time to print.  Please take this as fair warning not to wait to the last minute.  There will always be problems beyond your control in the print lab at the end such as running out of ink or paper for the printers, etc.  We only have 4 more classes to get ready for the final critique.  You are doing some great work!

Monday, April 16, 2012

How to write an artist statement

1. Start with the basics
Jot down some basic information about the photos included in this collection. Are they color? Do they have a common theme? Were they all taken in a similar location? Having a short list of details will help later when you are trying to tie everything together.

2. Try not to get too technical
Nobody reading the statement will care if you shot with a Canon 5D or if Photoshop is your post-processing software of choice. If there are some truly unique elements involved in the work (printed on a special material or you shot through a hand-crafted lens, for example), feel free to include that information. Otherwise, leave out the details about your gear.

3. What would you like someone else to say of this work?
This is possibly the best way to get to the heart of why you took these photos. If you would love for someone to say “these photos bring sunshine to my home”, then you already have a pretty good starting point for your statement. Lead off with something like “I have done my job as an artist if these photos bring happiness and warmth to your home”.

4. Share your background and history
All too often, artist’s statements are all about the art and don’t go into any detail about the artist. How long have you been doing this kind of art? Why did you start? Why do you enjoy it?

5. Try not to pat yourself on the back too much
It is fine to say you are proud of this body of work, but try not to go overboard with the self praise. I have seen statements that say things like “an expert of her craft, this photographer captures beauty in a way that nobody else has”. I understand the value of confidence and selling yourself, but these kinds of descriptions will be a turnoff to a lot of people.

6. Does it have to be a traditional artist’s statement?
A friend once suggested that I do a haiku for my statement, which I thought was a genius idea. Different venues will have their own requirements, but take the opportunity to do something out of the norm if you can.




Here are ten examples of different Artist Statements:












Sunday, April 15, 2012

Monday 16 April

You should have 5-7 of your final images ready for viewing on your blog tonight.  Please have your hard drive with all of your images for me to take a look at your metadata.  Tonight we will begin working on an artist statement for your final project.

Wednesday, April 11, 2012

Wed April 11

Tonight we will learn a little more about how to print using PhotoShop.  I want to take a look at your image you have ready to print tonight and all of your original files for that one image.  Remember, you need to have a least 100 images taken of each one of your subjects.  After I look at your files and your image, please be sure to post it on your blog.  Then, those of you who are ready to print can head on into the Print Lab.

Saturday, April 7, 2012

You should so consider entering your Aaron Siskand!

1650 Gallery presents:

Juried Photography Exhibition:
ABSTRACTS
The Alternative Eye

Submission Deadline: Thursday, April 12, 2012
OPENING NIGHT RECEPTION:
Saturday, April 28, 2012
7:30 - 10:30pm

Submission Guidelines

Abstracts: The Alternative Eye Photography Exhibition

Make a Submission

1650 Gallery is hosting the juried photography exhibitionABSTRACTS
The Alternative Eye
Photography at first blush has often been thought of as a literal or pictorial art, and the withering truth of the camera lens has often held the power to open hearts and change minds. But beyond realism and narrative, documentary and expose lies another universe of possibilities… a universe where the formal rules of focus, composition and exposure don't necessarily apply anymore.

It is a world of "anything goes", where the elements of light, shadow, texture, color and line combine to form images of emotional power or visual beauty, stark contrasts or subtle shades of tonality -- the world of ABSTRACTS. It is a world without boundaries, real or imagined… as unlimited as the photographer's imagination.

This month, let your imagination run wild as 1650 Gallery explores the world of Abstract Photography! Open to all photographic methods and techniques, digital or analog, subject matter is unlimited; real or imagined -- recognizable or not! There are no rules, so just have fun, make some good photos and show 'em to us!

SHOOT NOW AND ASK QUESTIONS LATER, THIS MONTH ONLY, AS 1650 TURNS OUR MIND'S EYE TOWARD ABSTRACTS! Ernst Haas had done some exquisite color work in this genre. Here's some examples to get you going!

DEVIANT ART - THE BEST OF ABSTRACT PHOTOGRAPHY - 2008

THE ERNST HAAS ESTATE
1650 Gallery Abstract Photo Deni Bohannon
Photo by Andrew Overtoom
1650 Gallery Abstract Photo Andrew Overtoom
Photo by Tomasz Kaluzny
Approximately fifty works will be chosen from submitted photographs to be included in the ABSTRACTS exhibition at 1650 Gallery in the Echo Park neighborhood of Los Angeles. Additional works may also be selected for an online gallery exhibition page.

There is an entry fee of $25 for up to 5 images. Additional entries may be submitted for $5 each.

All accepted entries must submit a high res jpeg (300-360 dpi , minimum size 5x7") to be included in the printed SHOW CATALOG.

We offer free matting and framing for accepted photographs that fit our pre-cut mat sizes for the duration of the exhibition. We have a variety of frames and mats to choose from.

We will also print your photo for a nominal fee if you are accepted into the show and would prefer not to mail a print.

Submit Now!


Selected artists may choose to offer their work for sale. The gallery retains 50% of the sale price, as well as 8.75% California sales tax. We offer free matting and framing for accepted photographs that fit our pre-cut mat sizes for the duration of the exhibition.

Questions? Please email us at 1650gallery@gmail.com

Mon 9 April 2012

Good discussion on Wednesday concerning everyone's plans for the final photography project.  Please make sure you have your Final Plan updated and on your Blog by Monday.  You also need to have 1 of the proposed photographs uploaded onto your blog for us to go over along with your photographer's sketch on the board provided for you.  Please bring all of the photos you took on your jump drive or external hard drive so we can look at how many images you took and how you approached the subject matter.  See you at 6 on Monday!

Wednesday, April 4, 2012

Wed 4 April

We will be looking at each class member's blog tonight and discussing everyone's plan for the final project.  Please participate in the discussion to help everyone narrow down their proposed projects.

A great big congratulations to Parker Ellis for getting 2 of his Aaron Siskand pictures in the Student Art Exhibit.  This is a rare honor for a PHO 111 student!  Way to go Parker!

Monday, April 2, 2012

Planning for the Final Photos

Please complete this proposed outline of work and post on your blog before you leave class on Monday, 2 April 2012.
Final Project Proposal

My final project proposal for PHO 111, Introduction to Digital Media, is to photograph and produce ....

Among the key issues that will need to be taken into account in developing a successful collection of images over the next five weeks are
1.

2.

3.

Stages of work1. This proposed project entails basic research on .....



2.  A reflection essay discussing what has been achieved during the course of this final project assignment along with a self-directed grade for the semester will be completed by 7 May 2012.
3. A 1-2 page artist statement explaining the final project and the artistic choices employed within the final images.
4. Explain what you hope to accomplish by:
 Wed 4 April: 
  Mon 9 April
 Wed 11 April
 Mon 16 April:   Mid-point review of at least 5-7 pictures due
 Wed 18 April
 Mon 23 April
 Wed 25 April:  Artist Statement Due by end of class
 Mon 30 April:  Reflection Essay and Self Directed Grade Due
 Wed 2 May:  Final printing and matting
The final 10-15 images will be ready to display for critique on or before 7 May 2012.


PHO 111 FINAL PROJECT PROPOSAL

THIS IS AN OPPORTUNITY TO PRODUCE IMAGES THAT EXPRESS WHO YOU ARE AS A  PHOTOGRAPHER. YOU MAY USE ANY AND ALL TECHNIQUES THAT HAVE BEEN COVERED DURING THIS SEMESTER.
OBJECTIVE:
TO PRESENT PHOTOS IN A PROFESSIONAL MANNER AND TO CRITIQUE THOSE IMAGES USING THE EVALUATION CRITERIA LISTED BELOW. SHOW THROUGH PRINTED IMAGES HOW YOU USED DIGITAL OUTPUT TECHNOLOGY TO EXPRESS YOUR VISION LEARNED IN PHO 111, INTRODUCTION TO DIGITAL MEDIA.
PORTFOLIO:

• 10 TO 15 IMAGES.
• ALL SUBJECTS MUST BE IN THE CONTEXT OF THIS CLASS USING TECHNIQUES THAT HAVE BEEN PREVIOUSLY COVERED
• IMAGES MUST BE PRINTED NO SMALLER THAN 8 X 8 INCHES.  OF THE 10-15 IMAGES, 4 WILL BE WINDOW MATTED IN MATTES 16 X 20.
• ALL IMAGES MUST BE PRESENTED IN A NICE, PROFESSIONAL PRESENTATION AS PER CLASS INSTRUCTION
• PRINTS MUST SHOW A FINISHED APPEARANCE; LEVELS, COLOR BALANCE, CONTRAST, SHARPENING, ETC. RETOUCHING IS A MUST BUT NO STRONG MANIPULATION OF THE IMAGE, I.E. CHANGE COLOR OF SUBJECT OR PLACING SUBJECT ON A COMPUTER GENERATED BACKGROUND, ETC.
EVALUATION CRITERIA:
CREATIVITY – STRENGTH OF THE IMAGES (COMPOSITION, LINE, SHAPE, FORM) AND CHOICE OF SUBJECT MATTER.
TECHNICAL – CAMERA SKILLS: THE EXPOSURE, USE OF LIGHT & COLOR, FOCUS, ETC.
PRINTING SKILLS: LEVELS, COLOR BALANCE, CONTRAST, ETC.
PRESENTATION – QUALITY OF MOUNTING, PRESENTATION OF THE WORK AND PARTICIPATION IN THE CRITIQUES.
WORK IS DUE ON DAY OF THE CLASS FINAL.

Sunday, April 1, 2012

Mon 2 April 2012

Tonight we will begin the discussion on the final project for the class.  Grades on the Aaron Siskand assignment will be returned.

Friday, March 30, 2012

Fri 30 March 2012

Don't forget that today is the day to have all 6 of your Aaron Siskand-ish images up on your blog!

Wednesday, March 28, 2012

Wed 28 March 2012

Tonight is the formal critique on the 6 printed Aaron Siskand images.  Of the 6, you should have 2 matted.

Be prepared at the beginning of class to do a critique of your own work.  Then we will shift and critique your classmate's work.  You can follow the Feldman Method of Critique used for the written critique on Monday or the How to Critque a Photograph method that was used for the mid-term.

After critique, please post your 6 images on your blog.

Take a deep breath and enjoy your weekend.  You have worked hard and well and it shows!

Monday, March 26, 2012

Mon 26 March 2012

Tonight we will be working on printing 6 of your Aaron Siskand-ish images and matting two of the six prints.  Wednesday is critique.

On Wednesday, please be ready to first critique your own work orally.  The first item of business in tonight's class will be writing a critique of one of your classmate's work.


How to Critique and Write about Photography as a work of Art

The following steps—description, analysis, interpretation and evaluation— are the steps in a formal critique. It is called the Feldman method.

Describe
This stage is like taking inventory. You want to come up with a list of everything you see in the work. Stick to the facts. Imagine that you are describing the artwork to someone over the telephone.

LIST
Name of artist, title of work, and gallery or location of artwork.
If this is an in-class critique of your own or another student’s work, simply list your own or their name. For example, “This is a critique of my self-portrait” or “This is a critique of Art See’s self-portrait.”

NOTE FIRST IMPRESSION
Make a note of your first spontaneous reaction to the photograph. By the end of the process you may understand your first impression better or you may even change you mind. There are no wrong answers.

Analyze
Try to figure out what the photographer has done to achieve certain effects. You should refer to your first impressions and try to explain how the photograph achieves that reaction.
Q. Use the vocabulary you learned in class. For example, talk about the compositional element used in the image.
Q.  How are the elements of art and photography (color, shape, line, texture, space, form, value) and the principles of design (balance, contrast, emphasis, movement/rhythm, unity, variety) used in this artwork?
Q. What do you notice about the photographer's choice of subject matter, quality of printing, quality of matting?
Q. What grabs your attention in the work? Refer to your first impression.
Q. Do you see any relationship to the things you listed during the description stage?

Interpret
Try to figure out what the photograph is about. Your own perspectives, associations and experiences meet with "the evidence" found in the image. All art works are about something. Some art works are about color, their subject matter, and social or cultural issues. Some art works are very accessible — that is, relatively easy for the viewer to understand what the artist was doing. Other works are highly intellectual, and might not be as easy for us to readily know what the artist was thinking about.
Q. What is the theme or subject of the work? What mood or emotions does the photograph communicate?
Q. What is the work about; what so you think it means?
Q. Why do you think the photographer created this work?
Q. What do you think the photographer's view of the world is?

Evaluate
This is a culminating and reflecting activity. You need to come to some conclusions about the photographic work based on all the information you have gathered and on your interpretations.
Q. Have your thoughts or feelings about the photograph changed since your first impression? If so, how? What made you change your mind?
Q. If not, can you now explain your first reaction to the work?
Q. What suggestions do you have to perhaps improve the work?
Q. What have you seen or learned from this work that you might apply to your own art work or your own thinking?

Summarize your overall  critique.

You might want to print this method of critiquing so that you use it tonight and on Wednesday for the oral and written critiques.  I can not wait to see what images you have for this assignment!







Wednesday, March 21, 2012

21 Mar 2012 Wed

Bring your cameras and a tripod to class.  We will be learning one more tool for making great photographs.  Before class, take a look at your camera and make sure you know how to manage the Aperture Priority setting and how to do different exposure settings.  If you are getting one from check out see if they can show you where to find these settings on the camera you are checking out.  We will be learning how to take images for HDR and then make adjustments using Bridge and Photoshop.

Secondly, we will be learning how to cut mats for presentation of your photographs. For the Aaron Siskand assignment, you will print six really strong images. For the critique, two of the six must be matted! Images must be printed no smaller than 8 X 8 inches and window matted in mats no smaller than 16 X 20.

If we have time, I will show a module on how to use Photoshop.  You can also use the remainder of class to do some printing if you have some images ready to go.

It will be a fun and informative class tonight!

Monday, March 19, 2012

In Class Assignment 19 March 2012

For those of you who were absent tonight:
Assignment to be put on your Pho 111 blog before the end of class: 

Write:
1.  One paragraph about the significance of Aaron Siskand’s contributions to photography.
2.  One paragraph about abstract expressionism.
3.  One paragraph outlining your plan to incorporate the influence of Aaron Siskand (or other abstract photographers) and abstract expressionism into the next photo assignment.   

Sunday, March 18, 2012

19 March 2012

Your next shooting assignment is to make images like Aaron Siskind!  You have until March 28th to make six really strong images. For the critique, you'll need two of the six matted! We will have a matting demonstration on Wednesday, March 21st.


Please make sure you have your blogs up-to-date with your panaramic and David Hockney images displayed.

Tuesday, March 6, 2012

Mid-term Critique

Mid-term critique over the panoramic and David Hockney assignments are Wednesday, March 7th at 6 pm in Journalism, room #110. Two 20" (on the longest side) prints are due. One print should be a panoramic and one print should be a David Hockney-ish composition.

Your mid-term grade will reflect how well you complete each of the two assignments.  A portion of your grade for this assignment is your participation in the critique.  Please come prepared to talk about your own work and that of your fellow students.

Here is a good website about how to critique photographs:  http://www.pixiq.com/article/doing-a-photo-critique.  You might want to research other sites that describe how to give strong comments in a photography critique.  Trust me, it will be easy to tell if you have read this article or not!

After critique,post the two final images on your blog.  You can re-size the images to 6" at 72 dpi for the web.  Don't forget to copyright your image.  I hope you are directing your friends and family to your blog so they can see what outstanding work you are producing this semester.

Hope everyone has a safe and fun Spring Break!

Sunday, March 4, 2012

Monday 5 March 2012

On Monday, March 5th, we will spend time in the Mac lab getting your images ready to print and then in the print lab printing and cutting.  Please make sure you have images ready to work on in Photoshop and Lightroom and to print on Monday.

Prints are $2 a square foot.  The print lab only accepts the Lion card so come with funds on your card.

Your mid-term grade will reflect how well you complete each of the two assignments.

The panoramic assignment is: 
Make a series of single images; then using PhotoShop’s merge engine make a seamless panoramic image. Think ahead. Shoot more variations than you may need. It works best with no less than four vertical images and try to keep the horizon line level.  One print due with paper size no smaller than 20 X 24 inches.

The David Hockney assignment is: 
Make a series of single images that at first glance gives us a false impression that the viewer is looking at one place but upon closer inspection the viewer notices that the space has been expanded or condensed. With this option the photographer will need to study the place to be photographed closely and think about what it is that needs to be expressed in the photographs by changing the point of view, angles and /or varying the subject to camera distance to help alter how the subject is perceived. This series of images can be printed either vertical or horizontal; whichever best conveys the space in question.  One print due with paper size no smaller than 20 X 24 inches.

Mid-term critique over the panoramic and David Hockney assignments are Wednesday, March 7th at 6 pm in Journalism, room #110. Two 20" (on the longest side) prints on 24" paper are due. One print should be a panoramic and one print should be a David Hockney.

After critique, please post your two images on your blog.  Then you will need to begin commenting on the blogs of your fellow class mates.



Wednesday, February 29, 2012

Wednesday 29 February

Tonight we are going to go over to the Art Gallery and see the 3rd Floor Photography Alumni Show.

Afterwards, we will come back to class to work on the panoramic and David Hockney images due for mid-term.

Please make sure you are commenting on your fellow classmate's blogs and directing others to your blog!

Sunday, February 26, 2012

Monday 27 February

The class will be meeting in downtown Commerce at 6 pm on Monday, February 27th.  We will begin work on panoramas and David Hockneyish images.  I will give a demonstration on how to take the pictures and help you work on your pictures if you wish.  Be sure to bring your cameras and a tripod.  Afterwards, I will be returning to the lab if anyone wants to download their pictures and see how they did.  This will be considered lab time and your time to have access to Photoshop and Lightroom.

Anyone get a good shot of the Commerce at Night pictures we worked on our last visit to the square?

Here's one of my shots from the exercise of learning how to shot pictures at night.  Post yours so we can see how you did.


I've noticed that several people still have not uploaded a profile picture for their blog.  This is a digital media class...upload either your self-portrait or the image your classmate took of you for a profile pic.

See you at 6 on Monday on the square in downtown Commerce.

Wednesday, February 22, 2012

Mid-term Assignment Parts I and II

The mid-term assignment will test your ability to make a series of photographs of a scene that cannot be photographed as a single image. 

Part I:  Panoramic Print
Make a series of single images; then using PhotoShop’s merge engine make a seamless panoramic image. Think ahead. Shoot more variations than you may need. It works best with no less than four vertical images and try to keep the horizon line level.
One print due with longest dimension 20 inches printed on 24-inch paper. 

Part II    Inspiration by David Hockney
Make a series of single images that at first glance gives us a false impression that the viewer is looking at one place but upon closer inspection the viewer notices that the space has been expanded or condensed. With this option the photographer will need to study the place to be photographed closely and think about what it is that needs to be expressed in the photographs by changing the point of view, angles and /or varying the subject to camera distance to help alter how the subject is perceived. This series of images can be printed either vertical or horizontal; whichever best conveys the space in question. 
One print due with paper size no smaller than 20 X 24 inches.
Both Assignments Due: Monday, 5 March, 2012
1.)  Be able to identify Cubist works (namely the works of Picasso and the
      Cubist-inspired works of David Hockney).
2).  Continue development of your compositional skills. 
3).  Continue developing awareness to the visual aspects of your surroundings.
4).  Continue development of being able to pre-visualise the final image.  Think of what the final composition will be while shooting.
5).  Continue the development of critical analysis by commenting on the work of your fellow classmates on their class blogs.  Please be ready to make meaningful comments during the class critique.

Wednesday, February 15, 2012

Due on Monday, 20 Feb 2012

On Monday, you need to have pictures showing the 26 letters of the alphabet.  Remember, no flash!  The images can be upper or lower case. Pictures can be of anything but actual letters. 

Please have each picture of the letter as processed as you can do it in Photoshop or Light Room.  I'd suggest sizing each picture as a 3x5 or so.  These images need to be jpegs a 300 dpi so they will be easier to handle in Photoshop.  Just make all the pictures the same size to make your final picture uniform.

Tuesday, February 14, 2012

Wed 15 February

Great job on the last assignment!  Please don't forget to put your three images up on your blogs before class on Wednesday.

Our next assignment is alphabet photography.  Your challenge is to begin seeing lines and shapes in the world around you. 

Let's meet on the square in downtown Commerce at 6:00 pm on Wednesday, February 21st. 

Bring your cameras and a tripod! If you don't have a camera that you can control shutter speed and aperture, you might want to check one out from 3rd Floor in Journalism before class.  You can also check out tripods and share them if you wish.

Sunset is at 6:12 pm so we won't have much time to photograph letters of the alphabet but we'll have to time to begin learning the concept.  I'll be leaving Wathena at about 6:40 if anyone needs a ride.

Next Monday, 20 February we will begin learning how to create layers in Photoshop and insert your images into one single picture.

By Monday, you will need to have 3 sets of images showing the letters of the alphabet.  We will not be printing these images but we will use them to learn how to create layers.

We are also going to learn another compositional element.  Since it will begin getting dark while we are in downtown Commerce, we are going to learn how to take pictures at night in very low light conditions.  This technique requires you being able to change your aperture and shutter speed, so again, you will need a camera that allows you to change settings.  A tripod is necessary as well to be able to get a sharp picture in low light.  It is forecasted to be a beautiful evening so we should be able to capture some great images.


















Friday, February 10, 2012

Monday 13 Feb Critique

Change of plans.  Our critique is moving from the Wathena Gallery to room 110 in the Journalism building.  Please be ready to go at 6 pm with 3 printed 8x10 portraits of your classmate.  You also need to have your contact sheets printed.


Friday, February 3, 2012

Mon 6 Feb 2012

On Monday, please have the portrait images of your classmates ready to create contact sheets in Lightroom.  You will need your portable hard drive to take your images into the print lab and print the contact sheets.  You can print on both sides of the paper and each piece of paper is $1.

We will begin learning the work flow of adjusting your image in PhotoShop and printing an 8x10 in LightRoom.  Next Wednesday, 8 February is a total lab day.  You can work in Lightroom, Photoshop or use the time to print your images in the print lab.

Due: 3 printed images on Monday 13 Feb 2012 at 6 pm.

Where: The critique will be held in the Wathena Gallery on the 2nd Floor.

What: Pick the best portrait images of the person you photographed.  Print at least 3 images on the 8.5 X11 paper provided.  Three prints is the minimum, but you can print more. The cost is $2 for an 8x10.

Note: the image size is to be no less that 8 X 6 inch.

Things to consider:  There are lots of students from all the other photography and VisCom classes printing their assignments this week.

DON’T WAIT TILL SUNDAY TO MAKE THE PRINTS. 

Anyone having less than 3 prints will be considered to have an incomplete assignment and will lose 10 points off of the total grade. Anyone arriving late to critique will lose 10 points from their total grade. Anyone having 3 prints or more and arriving on time will have the option of resubmitting additional work for a higher grade. Students arriving late or submitting incomplete work will not have the option of resubmitting their work.  

BE ON TIME WITH PRINTS IN HAND!


Monday, January 30, 2012

Portraits of Others

Tonight, the class will be dividing into groups of two to three people.  We are going to take a few minutes in class for you to have a chance to 'interview' one another and exchange contact information.  Get to know the members of your group and think about how you would like to create a portrait of them they might want to use as their Facebook and/or Blog profile.  So, spend some time thinking about and creating an interesting shot that tells us something about your subject.
We are also going to begin learning the basics about a digital camera.  Discussion will center on how to use various composition elements to make your portraits interesting and engaging.
Hopefully, you spent some time over the weekend researching photographers who are famous for their portraits.  Looking at the work of others can often inspire you to create an interesting setting for your portraits, have a variety of poses ready to try, ideas about what your 'client' might wear, colors to be included in the picture, various camera angles you might try considering, and how to best photograph your subject.

You need to shoot at least 30  images per classmate.  Remember, no flash allowed!

Hint:  Google and find out when the "Golden Hour" is for Commerce, Texas in February.
We are going to be working on this project for a few class periods.  You will need to bring your files each night to class so that we can use them in the Lightroom lab portion.  We will be creating contact sheets in LightRoom and begin learning how to  print on Wednesday.
NO PRINTS YET - ONLY FILES !!!

The final images will be graded on the elements of lighting, use of compositional tools and how well you captured your classmate's personality.  Good luck!

Wednesday, January 25, 2012

Written Blog Assignment 1

By next Monday, January 30, 2012, please peruse the link (http://www.professionalphotographer.co.uk/Magazine/Photographic-Inspiration/100-most-influential-photographers-of-all-time) to the 100 Most Influential Photographers of All Time and choose 3 photographers who are known for their portrait work.

Write one paragraph on each of the three portrait photographers that you have chosen.  Tell me about why you like their work, perhaps show me which image you like the most and why.

Please have these three paragraphs posted on your class blog before class on Monday, January 30th.







Tuesday, January 24, 2012

Self Portraits Continue on Wed

Great class last night.  There is not a new assignment for Wednesday.  If you wish, you can re-do your self-portraits and upload them onto your blog.  Please make your self-portrait the profile picture for your class blog.  You also need to make sure your blog is open and readable to the general public.  Take a moment to click and go to your fellow classmate's blog and follow them.  On Wednesday, we are going to continue with a short critique of the pictures on your blog, begin work in LightRoom and learn about the next assignment.

Below are a couple of my self-portraits.

Thursday, January 19, 2012

1st Assignment: Self Portraiture


Link to Syllabus:                                           Link to syllabus PHO 111
Link to Blog:                                                  http://pho111spring2012.blogspot.com/
Links to Conceptual photography:              http://en.wikipedia.org/wiki/Conceptual_photography

Monday, January 23, 2012 you will need to bring:
1.           External hard drive
2.           Images from your fist assignment  loaded onto the hard drive
3.           Your camera

Please take some time to research photographers and artists both past and present who are well-known for their work in self-portraiture.  Then research the idea of conceptual photography.  The most successful images will be those who merge the self-portrait with conceptual photography.

Assignment #1:               Self-Portraiture
There is a rich tradition of self-portraiture in photography and one of the first subjects that every student studying photography should photograph is themselves. In this assignment students are to make two very distinct images of him or herself. Each image should express the concept or idea of “I”. One image must depict the “self” from the outside – how the person photographed is perceived or known. The second image must show the “other side” of one’s self, the person that no one knows; the alter ego, if you will. The environment is everything in this assignment so pick the location well to tell the story. Students can use the self-timer or have someone “click” the shutter for them. But most of the time it is best if the student works alone. It is less inhibiting to the creative juices.

Hint: For both images to be successful, shoot a lot of images. Pick a location that works for what is needed to convey the idea and then work it to death.   No train tracks allowed and no flash, only natural light!
The work will be evaluated on idea, concept, compositions and design.
Due:      Monday, January 23, 2012

What:   Bring the files of all your self-portrait images on your hard drive to class.  The more images you have the better.  We will be using these files on Monday for our first lab exercise in LightRoom and for your Blog.  Remember, your metadata will need to state the images were taken between 18 Jan 2012 and 23 Jan 2012. 

Friday, January 13, 2012

Welcome to PHO 111

Welcome to the blog for PHO 111 Introduction to Digital Media for Spring 2012!

This is the place to find assignments, due dates and other information regarding this class.   Be sure that you can access it!  The address for this site is > http://pho111spring2012.blogspot.com/

Please note that you should check this blog regularly to stay current with what will be covered during class and lab, when assignments are due and if there are any changes in our week-to-week plans.

If I need to contact you individually that will happen via your email address that you have on your MyLeo account.

Here's the class list and my contact info:
00123622MW 6:00p-8:50p Location: WTFA207 Daun, Joseph
Meets 1/17/2012 through 5/11/2012

Ginger Cook, Teaching Assistant
o/ WTFA 225  h/ Monday/Wednesdays 3:00pm to 5:00pm or by Appointment
c/  903.272.5469           e/  gcook2@leo.tamu-commerce.edu

Today we're going to introduce ourselves to each other and review the syllabus.

It's going to be a great semester!